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Julie\'s Nordic Island

Space & Time for Your Wellbeing

Archive for the ‘Design & Health’ Category

The Shifting of Swedish Space

Wednesday, February 10th, 2010

Space, the final frontier...

The birds are chirping and the snow on the ground is knee-deep.  The light has a softness in it that belongs more to the future than it does to the now when the earth is still hard and the branches bare.   These contrasts make the month of February an interesting and surprising time to be in Sweden and not at all the monotone freeze that this country has a reputation for being in until midsummer when the tourists begin to arrive.

Among the other contrasts that I notice this February are those that I see in the landscape of this country of supposedly charming rust-red houses trimmed with ‘carpenter’s delight’. A Sunday walk with my husband on the ice reveals a new and juxtaposing picture of architecture in Sweden and with this a shift in values taking place within a whole society. “This place is starting to look like America,” my husband comments as he notices the large waterfront houses that have shot up in no time.  My husband is old enough to remember Sweden in the 1950s so there is the possibility that he could be exaggerating. On the other hand, during the fourteen years that I have had the opportunity to observe Swedish coastlines from the ice, things have clearly changed.

The going gets tough as we hit a patch where the snow is so deep that it has insulated a layer of water between itself and the 40 cm-thick ice. We are forced to stop and look.  On the shore just up in front of us we behold three houses that tell a story of the rapid transformation of a cultural landscape that is happening without almost anyone commenting. To the right, at the bottom of a low hill nestled among the trees is a tiny house that looks like a DIY sports cabin.  It was obviously built to provide a simple base from which to enjoy the beautiful natural environment. To the left of this cabin is a slightly larger cabin with terrace and a small kitchen with running water. This place was also clearly built with life in the outdoors in mind. Even further to the left, perched up on the hill, is a great, grey house with no carpenter’s delight and a double garage.  It’s long row of front-facing windows demonstrates that it is clearly built for enjoying the outdoors from the indoors. Before us we have the story of late twentieth century and early twenty-first century Sweden. There is a shift happening from outdoors to indoors and from nature to convenience.

Sense tells me that it is important to resist a glorification of the past. In mid-winter indoor sanitary facilities are a great blessing. I know what it is like to weather a Swedish winter without running water (we’ll leave that story for my memoir of island life which is coming out later this year or another blog entry!). On the other hand, there is something about the rapid emergence of these big and rather unoriginal houses in a very short period of historical time that is disturbing. How do we actually create more space for ourselves in modern society? Bigger houses mean greater use of energy, more cleaning and less time in the greatest space we’ve got: nature.

There is of course another trend and one I have reported about at my e-magazine. That is, the rapidly increasing popularity of hermit huts and tree houses. People with the resources are today prepared to pay a premium for the opportunity to live in a designer ‘box’ for a night because it gives them an opportunity to taste a form of freedom that is available on a path that society is slowly relinquishing.

Two days later my husband and I walked past a recreation of Lådan, a 20 m square functional-style house built during the early 1940s, by the famous Swedish architect Ralph Erskine and his wife. We peered into the windows of this house which has become a charming historical relic in our area. The double bed hung from the ceiling and could be lowered to the floor by a well-designed pulley. One of our friends remembers that the Erskines “hung their infant daughter in a small hammock outside” on the terrace when they had guests who came to visit them during the summers. Today most people cannot imagine choosing such a life – even if only for the summers. Yet we glorify structures created by people who have made a determined effort to enjoy ’space’ in other ways by showing off their homes as examples of fine architecture. I am quite certain that the new instant giants along the coasts of Sweden’s inner islands will never be revered in this way.

Obviously, we are confused about what it is that truly gives us a feeling of space and freedom in our society. There is a gap between what we want and the choices we make. The next time you are out walking, skating or skiing on the ice observe and think about it, and please do get back to me. I’m still trying to work out the most lagom (meaning just about right in Swedish) solution for meeting my need for space.

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For links to places and designers working with hermit hut and tree house projects in Sweden visit http://www.nordicwellbeing.com/web/design/more_design/Hermitic_Design.php.

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Painting the Environment Sane

Friday, October 30th, 2009
The human touch that keeps us sane

The human touch that keeps us sane

Even in beautiful Stockholm our modern living environments have the potential to drive us insane. As soon as Lucy and I turn the corner on our early morning toddle in the peaceful Malmen area of Drottningholm the sound of a drill penetrates through us like an electrical shock. Everywhere there is fluorescent red signifying not to go here, not to go there. I’ve learned to ignore all of the metal posts protruding out of the cement because if I thought about them I would feel as though I was living in a Matrix film.

We turn another corner back up into the sanctuary of our hill and Lucy stops to sniff against an elskåp (something between a fuse box and a transformer station). Dogs try to turn them into trees by peeing on them. Nice try, furry friends. I notice that on the front of this metallic cupboard someone has painted a detailed image of the vegetation and the fence on this side of the path. I think the intention is to camouflage the box but the result is more fascinating than this. The electrical box becomes an artistic contribution to the landscape, just like all of the well-designed houses in this area which are like architectural thought pieces (some of Sweden’s most famous architects have lived here). I feel like shouting over to the tourists who are disembarking from the bus on the other side of the road at the palace: “Hey – there’s something more hip over here.”

By the time we’ve finished our walk, Lucy and I have admired at least six elskåps and we feel as though we’ve been to the art gallery. The fact that someone has actually bothered to look at the neighborhood and take some considerable time to soften those modern protrusions fills me with hope for humanity. Maybe we don’t have to become basketcases or sensually dead in order to live in the neighborhoods of the future. We have the capacity to save ourselves through something as simple as a paint brush.

I chat with the artist. He’s British, but he’s been here long enough to know what egenmäktigt förfarande means (doing things you are legally not allowed to do). “No one ever notices an elskåp”, he says and continues: “The brain does a nice eraser job on them in our own interest. If we actually noticed every elskåp we passed we would probably all have heart attacks because of the horrible inappropriateness of their very existence. Especially in a paradise like Drottningholm.”

After living in a little wilderness for the past ten years and now returning to the land of elskåps, I agree with Peter Tucker. We need to think more about what is acceptable and what is not acceptable in our environments and measure that against what keeps us sane and what instinctively we know drives us around the bend. Oh, and if you happen to know what the proper English translation of elskåp is, don’t hesitate to share.

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To be released in March 2010

To be released in March 2010

Peter has created a guide to his Drottningholm graffiti which is available from him at peter.john.tucker@gmail.com. Get in touch and be guided by the artist himself! Visit Peter’s web site and learn more about his and his partner’s (Cilla Ericson’s) work, including a painting school for children, at www.kosmikon.com.  Peter’s elskåp paintings are being featured in an upcoming book about graffiti in Sweden entitled “Sätta Färg på Staden: Obeställd kreativitet i det offentliga rummet” by Kolbjörn Guwallius (hardcover, 216 pages in color, expected release March 2010). Visit www.kooli.net for further information.

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The Value of Island DIY

Monday, July 13th, 2009
You can never start them too early

You can never start them too early

While Christine Demsteader floats from one Swedish village to the next without a care in the world, I am having a more traditional Swedish summer on my island in the wilderness. Here we take responsibility for the glass and the roofs that the winter destroyed, and the plumbing that we didn’t shut down properly before the winter came. We have sleepless nights because women no longer know how to sew curtains and because we worry that the wildlife will have a nighttime feeding orgy on our vegetable patch. We start projects with our bare hands that people living in most other countries would hire a bulldozer for. We receive post cards from people in southern Europe who seem to think that it is OK to lie on a beach and speak French all summer.

During my first experience of this Swedish island summer, I remember listening to the echo of Birger and Birgit soaring across the lake. Both of them had reached the ripe old age of eighty-something and they were still harvesting potatoes in the way that their parents had done when they were born. Birger dragged a great wagon filled with potatoes ahead of Birgit who threw the dirty bulbs into a satchel hung diagonally over her chest. As the sun beat down on their little clearing, Birger groaned. “Slave camp!” shouted Birgit. “That is what this is, pure slave camp!”

At the time I couldn’t understand them. I was here on holiday for a couple of weeks and hadn’t yet developed any DIY instincts. 13 years later I sometimes consider shouting the same words across the lake as Birgit once did. I’ve got no one to compete with since Birger and Birgit passed on some years ago. Sometimes my head spins at the expected industriousness of a traditional Swedish summer. “I can tell that you are not just a writer,” my masseuse says when she examines my arms and hands during my one hour of true holiday at her massage bed.

My husband keeps threatening to take us to Corsica next year and offer up our little piece of Swedish paradise to visitors who like fixing burst pipes.  Still, I cling to my traditional Swedish island summer and often wonder why. One of Sweden’s leading wilderness experts once told me that he had chosen his vocation of teaching people how to survive in adverse conditions, because he thought that it could solve many of society’s problems. “If the lights go out, no one knows what to do any more – people feel dependent, even helpless”, he said. Perhaps it is this dimension of a traditional Swedish island summer that has so many of us coming back feeling strong. As I throw my soiled bulbs into my shoulder satchel, I will give it some more thought.

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If you love DIY the traditional way, a half day at Gysinge Centrum för Bygnadsvård could interest you. Here you can learn everything you ever wanted to about fixing up a Swedish home the painstaking way with old bits and bobs and expertise that you will have a hard time finding elsewhere.

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Highlights from Follow Sweden

20 things to know before moving to Sweden

As diverse as Sweden is, there are a few societal norms that are distinctly Swedish. Understanding a handful of them will hopefully prepare you culturally before you relocate. When you're invited home to a Swede, you better be on time and take your shoes off, writes expat Lola Akinmade-Åkerström. Read more »

How far can English take you in Sweden?

Sweden is a country where almost everyone can speak English. So why bother to learn Swedish? Edina Varnagy from Hungary managed with English for a whole year but then found that Swedish could open doors – to a job, a social life and greater understanding. Read more »

Blog Update: Julie's Nordic Island

12 February 21:30

The consciousness of one »

"The ice dripped in the winter sun. It was the first day when the light had been intense enough to cause dripping in the sunlight. To hear it was an extraordinary wakeup call. The cycle was happening again as it always does, always will (or so we think). I imagined that on my summer island, the bees..." READ »

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