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Trying to see the funny side of Sweden

Archive for September, 2009

I Twitter, therefore I am

Tuesday, September 29th, 2009

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The most full on week of my life is fast approaching. From next Sunday, with my mini tour (see flyer above), a ballet(!) and a couple of corporate gigs, I am performing more or less every night. Not only that, but as is the way with being a self employed comedian, I am also trying to sell tickets for the shows. It’s all about bums on seats (watching the bum onstage).

So, today I was in Norrköping being snapped and interviewed by Folkbladet. We sat in a rättvisst Oxfam style café and you could see that some of the less senile pensioners were wondering who I was… fame at last. Just as I was leaving Nkpg, I got a call from NT24, which is the online/cable news channel for Norrköpings Tidningen who are going to cover it. It’s also very popular with the over 60’s, so you know, hitting all the right markets for my show.

In an effort to to reach an audience cogent with the workings of the 21st century, I have started to Twitter. Admittedly I am jumping on the bandwagon, just as the next thing is probably about to start.. but you know, I’m willing to give it a go. I’m mainly going to Twitter these blogs.. unless I get really into it and/or someone buys me an iPhone.

So if you fancy joining me.. or indeed following me, here’s a link to my Twitter bandwagon

Tweet! Tweet!

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Pablo Francisco – Who You Foolin’?

Monday, September 28th, 2009

27th September, Konsert och Kongress, Linköping

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Pablo Francisco was introduced to the stage last night as ‘The Greatest Comedian in The World’. After the understatement and irony free hour that unfolded, I am curious what the criteria for the title are.

OK. It wasn’t really my cup of tea, but then again, I am ready to acknowledge that I was in the minority in the 1200 strong crowd who had paid upwards of 400 kronor to be there. Pablo Francisco is a superstar in Sweden and it is easy to understand why. Not only is he an incredible performer, physically and vocally versatile, with an onstage energy that is astounding, but his subject matter is broad enough for the MTV watching, X-Box playing, Subway eating EuroSwede crowd to get… and even if they don’t, there are sound effects to hammer home the joke… and hammer it home he did… Perhaps it’s cultural and I come from the wrong side of the Atlantic, but it just wasn’t my thing. Personally, I cringe when a comic says ‘I love you guys’

There were some nice routines – I found his Smart Car routine very, er, smart, but it naturally boiled down to what it would be like getting a blow job in a Smart Car. This having followed routines about … James Bond having sex, why don’t X Box make Porn Hero instead of Guitar Hero, what does Jackie Chan look like having sex, what does Arnold Schwarzenegger look like having sex, phone sex, etc etc… you get the picture. In fact the subject matter of the entire show, including the support acts, can probably be summarised in the following five words: Fucking, Weed, Wanking, Chinese and Gays.

The ‘Who You Foolin’? tour is heading north and continues until the 17th October. If you’re American or a US lovin’ Swede, you’ll probably enjoy it. Otherwise, just spend some time with a hyperactive teenager instead, the experience is fairly similar.

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World class night with ‘The Swede’

Saturday, September 26th, 2009

There’s stand up comedy club in Greenwich, London called ‘Up The Creek’ which was started by the one and only Malcolm Hardee (not so much the father of alternative comedy in the UK, more the crazed drunken uncle who had shaken off his probation officer). In its early days, Malcolm Hardee’s club was infamous: the chairs and tables were nailed to the floor and drink was served in plastic glasses… all for the safety of the comedians brave enough to stand on stage.

Legend has it that there was once a Swede who took to the stage and was promptly booed off. The apocryphal story goes that it was a tap dancing act on a carpeted floor. However, in the years that followed, any act that was not appreciated by the audience would be heckled by the baying crowd, shouting in unison “Bring back the Swede! Bring back the Swede!” as though to suggest that the act on stage was so bad it made the Swede look good.

On Thursday, I had my club, LKPG HA HA! and was chatting away to one of the comedians, Pontus Ströbaek. We started talking about the difference between the club scene here and in London and he starts telling me that about twenty years ago, he tried his luck in London at a club called ‘Up The Creek’ which was one of the most frightening experiences of his life. I ask him how it went.. all those years ago… “terrible” he says “they booed me off”… I put two and two together and realised that I was sitting opposite ‘The Swede’… a small unwitting part of British comedy history.  I knew this was going to be a special night in Linköping.

The night kicked off with Niklas Folkegård, a very animated performer who brings his jokes to life. Then straight in with the first act’s headliner, Pontus ‘The Swede’ Ströbaek. Thankfully, he has used the intervening 20 years since his 5 minutes at Up The Creek to create a hilarious, largely improvised, stand up act, that unlike many Swedish acts, has a real sense of anarchy and danger.

After the break, Kjell Nyholm took the stage with a short set in his local dialect Kisamål. Then it was time for one of my favourite Swedish comedians, Henrik Elmér, who blew the audience away. It’s the second time in a week I’ve watched Henrik perform and both times there has been at least one person in uncontrollable hysterics. You can’t ask for more than that from a comedian..

I was pleased with my compèring. I tried out some new stuff about trying to make Linköping more of a Hip Hop town. It worked, mainly because the local crowd (myself included) are so un-Hip Hop. Linköping ain’t no Brap Brap town. I was most pleased that the night was consistently funny and that the crowd left happy (apart from one lady who complained it was too loud… but you can’t please all of the people all of the time….). Of course, don’t take my word for it – you can read it in Linköping’s very own Pravda Corren, who sent a reviewer with such exceptional good taste, he gave the night CCCC (top marks) with the headline ‘världsklass’. Read it here:

Vklass

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The Pitch

Thursday, September 24th, 2009
A windy picture outside SVT

A windy picture outside SVT

Meeting people in the media world it is filled with subtexts, bluffs and semi truths. Yesterday at SVT in Gothenburg was no different. They had the home advantage of the imposingly massive modern glass and steel structure that sits on the water’s edge opposite the city, I countered by dropping in comparisons with the BBC. It was all about the logos: He drank his coffee from an NBC mug. I had a pen lifted from Studiefrämjandet, where I give evening classes. It was clear SVT had the upper hand.

Luckily, this male media posturing was not necessary as it soon became clear that the guy we were meeting, the commissioning editor for drama at SVT Gothenburg, was a very nice chap. He gave us a whole hour and we chatted about the sitcom idea, talked about character and plot development and episode and series arcs. We laughed… which is a good sign when talking comedy and he uttered variations of the phrase “Verkligen, jag tycker att det är en rolig idé” several times.

Needless to say, SVT Gothenburg don’t currently have a slot for a 12 part half hour sitcom… but although that is the case today, commissioning briefs tend to change, so it’s always worth being in their mind when they talk about what to make with our licence fees. The main thing is that he is behind the idea and encouraged us to take it to the big players in Stockholm – Jarowski, Tre Vänner and Baluba – and getting through the doors of these giants is always much easier with a ‘Godkänd’ from a commissioning editor (even one who is not actually going to commission it).

So, onwards and upwards….

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Angry Ballerinas

Tuesday, September 22nd, 2009

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The hypocrisy continues.

Not only do I allow myself to be wined and dined by the Social Democrats on a monthly basis, but I am also now indirectly working for the Swedish Church. Sweden’s moral guardians in Östergötland have decided that October is the month to put on a balletic representation of the Stations of the Cross at St Lars Kyrka in Linköping. For those readers not up on their dramatic representations of The Passion – this is part of the Bible traditionally performed on Good Friday by Catholics and not, as is the case in Linköping, by Lutherans, in October on a random Saturday…. but still, why be tied down by tradition?

I’m helping out with the dramatic elements of the production but I am always impressed by ballet dancers as they are able to use their bodies in ways that would cause most of us pain; and they do so with the greatest of ease.

At the last rehearsal I was working with ‘The Mob’, the crowd who would jeer and spit at Jesus. I was trying to whip up these very passive girls who moved with such grace into an angry furore. This was no easy task and while I’m not bold enough to say that I created a band of angry Margot Fonteyns, I think they will unsettle the audience once they combine the dancing and the acting.

Meanwhile, back in post biblical secular reality, I am trying to get a crowd to come and see my shows in Norrköping, Linköping and Stockholm, where I promise no ballet and no religion. Sending out press releases, contacting papers and punters and updating the Facebook Group.

Tomorrow morning, I am off to Gothenburg to pitch a sitcom idea to SVT. A long drive for a short pitch. I hope it’s worth it.

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Full Fart in Stockholm

Saturday, September 19th, 2009

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Nothing beats Stockholm in the sunshine; the water glistens and the buildings seem to absorb the light creating a golden glow.

Sucking up the diesel and trying to blend in with the beautiful people who were out in force, was yours truly. And with places to go, people to see – I was full fart, to use a Swedishism. As I was busy, I treated myself to the X2000 and stepped onto the platform of Centralen just after ten thirty in the morning. Then tramped my way over to Södermalm to get some flyers for my show up at some of the funkier joints of Gamla Stan and Söder. Less funky (unless you find Heinz spaghetti hoops hip) was The English Shop who were kind enough to clear a big space for my flyer…. apologies to any English speaking yogis, babysitters or netballers whose small ads got shifted.

Then it was off to Östermalm for more postering – again, weirdly, people were unusually kind and friendly… must have been the weather – and a visit to the Playhouse Teater, where I am performing on the 11th October. Had a chat to the technical guy and dropped off a few posters. I spoke to a very theatrical husky voiced actress outside the theatre who had popped out for a fag. Oh the drama, the drama…

Next stop was to look at a pub where my friend Louis is going to start a comedy night soon. Can’t say much more at this point, but I think it will work well.

Then on to meet Bisse for a late lunch and some intensive work on Scene One of the sitcom that we are pitching to SVT next week. Squeezed in a few extra gags and tidied up one of the characters a bit. Very funny indeed… at least we think so – it remains to be seen what SVT think.

Then, well saturated with tea and biscuits, I headed back to the Playhouse to see ‘The Al Pitcher Picture Show’ – There was a huge crowd for the show which was absolutely brilliant. Henrik Elmér who is headlining at my club next week was the support act. He was great of course. A woman in front of me had complete hysterics at some of his references and oddly, another woman a few seats away kept giving her these really disapproving looks as though laughing was not the done thing at a comedy night.

The main show was fantastic and Al lived up to all expectations. Hilarious. Go and see the show if you get the chance. I’d love to see the show again as it is based on photos taken on the day of the show, so it is completely different every time.

After the show, I jumped backstage for a quick chat to Al and to slag off a few UK cities (especially Wolverhampton) then hotfooted it to the station to get the midnight rattler back to Linköping where I duly fell asleep and nearly ended up in Malmö by mistake.

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Doggy style

Monday, September 14th, 2009

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I’ve never really seen the point in owning a dog. What the appeal of living with a neurotic beast that slathers, shits in the garden, ruts strangers’ legs, chews shoes up,  leaves hairs all over the sofa and lets its presence be known by a coded series of  barks, whimpers and growls along with a distinctly canine pong, is beyond me. I guess, I’m just not a doggy person but if a dog is your best friend then maybe you should radically reassess your social life.

My thoughts on canine relations were confirmed yesterday when I went to the circus. Just to clarify, this was not the modern variety of circus where all the animals have long ago been sent to the glue factory, meaning the show has to rely on talented human performers demonstrating feats of dexterity, skill and illusion. No,this was an old school animal circus run by enthusiasts.

I was at Valla, a lovely place in Linköping where kids can feed rabbits, ducks and ornamental chickens. There’s goats and guinea pigs and, if you are into that sort of thing, you can send your kids to riding lessons. Every year, to raise money for hay and carrots, the kids put on a show called ‘Cirkus Vallaskojsky’ where all the work achieved by animal rights activists over the last 30 years is thrown out of the window.  The horsey hobbyists who normally ride and feed their four legged friends at weekends, make the animals perform a series of stunts in front of a baying crowd of under-tens high on popcorn and orange Festis.

The kids dress up in an approximation of ‘clownery’ – big hats, colourful tights, painted faces… There was one boy whose hat was a lifelike representation of a hotdog, complete with mustard, sitting on a tartan plate. I was tempted to find him after the show to jump him and wrestle it from his head, so impressed I was. The goats were led around the stage by these motley fools and forced to climb on steps and walk across beams. How we laughed as one randy Billy goat butted his 8 year old handler in order to mount a female goat and ‘perform’ in public. Then some other kids showed off their riding skills, which as far as I could gather, amounted to getting on and off a horse.

Without question, it was the dogs, or more accurately, dog owners, that stole the show. These were grown adults who have dedicated not only their time and money, but clearly their every human emotion into forcing their dogs to do stuff like running through tubes or slaloming round poles. Never mind the fact that the dog is being led with the promise of a (possibly heroin laced) dog biscuit. You see things that are simply freakish – One rotund woman had trained her Great Dane to dance with some kind of miniature bulldog, which could literally have fitted in the larger dog’s dribbling jaws. And we applauded this deviant behaviour.

You get the impression from these crazies that they have a similar relation with their animals as Joe Jackson did with the Jackson Five – it’s all fixed smiles and hugs in public, but this is just a paper thin facade to hide the hours of torturous practice that goes in to get the moves right. If the dog gets it right, they get fed, if they get it wrong, then it’s straight to the doghouse.

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Comic Relief

Friday, September 11th, 2009
Palle in action at the premiere

Palle in action at the premiere

At any given moment for the last few months my mind has been at least partially focussed on the opening night of LKPG HA HA! at Café M in Linköping. Last night the weeks of preparation and worry became worth it. The premiere was a success.

It was one of those rare occasions where everything that could have gone wrong … didn’t. Everything ran smoothly:  the sound and lights worked, the audience turned up in droves, laughed, clapped and left smiling, the café was happy and managed to serve everybody without getting too stressed. And of course, the show was fantastic… The line up was as follows (with links to sites where they have them):

  • Johan Ranner
    Stephan Ahlgren
    Martin Johansson
    Tomas Bonderud
    PAUS
    Palle Strömberg
    Joe Eagan
    Isak Jansson
  • Not to take away from the other performers, but LKPG HA HA!’s very own Palle Strömberg performed a blinder and (as ever) Isak was absolutely brilliant. His material seems to be going from strength to strength and he is such a versatile performer – physically and facially, but also in terms of language and accents, be they Swedish, American or Jamaican (imagine Usain Bolt being imitated by a short blond Swede).

    So there we are… deep breath out … and relax… The future of stand up in Linköping is looking rosy.

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    The Best Job In The World

    Wednesday, September 9th, 2009

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    If, like me, or if indeed, like my four year old, you see life through the eyes of a four year old, then today, I lived the dream. Just imagine, if you will, the biggest vehicle you could possibly think of, then imagine yourself at the wheel. That in a nutshell was what I did today. Somebody paid me to drive  a Volvo wheel loader back and forth, round and round, lifting the scoop up and down. That’s a machine that weighs twenty nine (TWENTY NINE!!) tonnes!!  The scoop at the front is bigger than the average car and the wheels were as tall as me. If you look closely at the picture below, I am the small object in the blue hat.

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    I was met at the train station in Eskilstuna and whisked away to a secret location, through some padlocked gates through some woods and into a clearing which was home to a massive test track. I was there to make a short informational film about a secret piece of Volvo Wheel Loader technology, that I cannot disclose here. Every so often another equally large machine would whizz past in the near distance and me and the camera crew were told in no uncertain terms that we had definitely not seen what we had just seen.

    I’m not a huge fan of Clarkson and co, in fact, I think I fall more into the Stewart Lee school of Top Gear appreciation, however… when it comes to playing with a TWENTY NINE TONNE (!!) wheel loader at high speed round the track while recording pieces to camera, I think I was able to come to terms with my inner Hamster.

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    All About My Mother

    Saturday, September 5th, 2009

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    Whether you watch it as Allt Om Min Mamma, All About My Mother or Todo Sobre Mi Madre, Almodóvar’s compelling and multi layered narrative is a masterpiece which presents the multi-faceted role of woman as mother/actress/saint/sinner… I’m sure my mum is all of these (I daren’t ask) but ironically, thanks to my mum being in town, we had a babysitter, so got to have a rare night out with my girlfirend… so it really was all about my mother.

    We went to the Östgöta Teatern production of the Swedish translation of the English play by an Australian writer based on the Spanish film. Almodóvar’s films bring the colour, passion, rhythm and tragedy of the characters that live on the edges of Barcelona’s society but unfortunately, going from screen to stage, Spanish to Swedish (via English) and definitive performances by the greatest Argentinean/Spanish cast to (albeit, excellent) Swedish actors, the play seemed to have gone through too many filters to live up to the original.

    So it took several scenes to get over comparisons with the film and the shortcomings of Swedish over Spanish (and English). For example, this stuck out when Agrado should have spat out a passionate ‘Hijo de Puta!’ but without a decent Swedish equivalent, used the English ‘Motherfucker!’… which just isn’t the same… (That said, it could have been worse – I once watched The Sound Of Music in Hungarian – Imagine trying to translate ‘Doe A Deer’ for the Magyars)

    Luckily, however, the narrative was so compelling, and once I had stopped mentally referencing the film (which is no mean feat when watching an adaptation of an Oscar winning film) I found myself totally absorbed. The performances were fantastic, especially the lead role of Manuela played by Stina von Sydow who embodied the roles within roles within roles of womanhood with elegant, graceful strength and Jesper Barkselius who made the transvestite Agrado lovable rather than a caricature. Mind you, she had the most muscular thighs I’ve ever seen in a mini skirt.

    Productions at the Östgöta Teater are always slick and well produced and it’s a blessing that the Riksteater puts this much effort into the regions. Allt Om Min Mamma plays in Linköping until October 10th and is well worth watching – just don’t compare it to the film.

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