• Sweden edition

110% LAGOM

Trying to see the funny side of Sweden

Archive for October, 2009

Negers, Red Injuns and political correctness

Saturday, October 31st, 2009

A recent post on Urbanlife.se, which covers all things Afro-Caribbean in Sweden, was about an overtly black stereotype on Bolibompa, SVT’s flagship kids’ programme. The still image showed a puppet with thick lips, dopey eyes, gold chain and flat nose … taken out of context it wasn’t so far removed from Amos and Andy.. .. but then I was looking at it out of context – for all I knew, the character may have been one of many black characters on the show and was a neat foil for the black policemen, professors, politicians and other positive characters… perhaps the editors of Urban Life are overly sensitive to such things and they just don’t appreciate a funny character who just happens to be black.

What I do know is that from my experience of performing comedy and listening to other performers, Sweden often seems about 30 years behind the UK and US in terms of political correctness. One good example is the use of the word ‘Neger’, which although, as defensive Swedes are keen to point out, is not the equivalent of ‘Nigger’, sets off alarm bells when I hear it.

I should add here that I’m against censorship of words, and in humour, which should be about breaking down taboos, there is a place for everything. In fact, I use the word ‘Neger’ in my own routine to illustrate the outdated flippancy with which it is used in Sweden, which, to me is the point: context. I’ve cringed watching routines here which are either racist, homophobic or misogynist with no justification or where the only ‘laughter point’ is the stereotype. It’s a two dimensional joke that says laugh at the Neger, the Queer, the Slut or the Spaz simply because they are black, gay, female or disabled.

And then I came across this advert for a local opticians in Linköping. I’m not offended by it in a way that many people in the US probably would be, but more shocked that at some point down the line they thought this would be a good idea. There’s a very weak play on words (Bågar means ‘frames’ and ‘bows’) but that’s about it. My comedian reflex wanted to make a joke about needing to make a Reservation at the optician’s, but I was overwhelmed by the thought: ‘What were they thinking?’. Ugh! indeed, Ögat, ugh! indeed… a very short sighted advert.

Injun

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Komikaze!

Thursday, October 29th, 2009

Palle and I did the Komikaze run to Stockholm on Tuesday night. Paradoxically, unlike the last time I took to the road with Palle and his son, the journey itself had less of a Kamikaze feel to it. In other words, I drove, and I drove sedately.

It was a pleasant journey in the the golden light  of a Swedish autumn afternoon/evening beautifully lit by the oranges, browns and reds of the trees. It was an uplifting vista and a reminder that when the grey skies clear, Sweden’s autumnal Golden Hours are the best in the world. Even when darkness fell and we got stuck in a traffic jam outside Södertälje, the journey didn’t seem to drag. We were in good time and chewing the fat with Palle about music, comedy and life in general is not only fun but as good for my Swedish as it is detrimental to his as he tends to leave my company speaking a bastardised version of his mother tongue.

Once in Stockholm, it was good to get a sense of the big city again – cars, noise, people, chaos. I love it.

Komikaze is a weekly club in Vasastan at a bar called EGO. The club is run by a refreshingly egoless guy called Mike Räsänen who also runs the website Komikaze, the hub of all things comedy in Sweden.

Doing Komikaze is a bit like a rite of passage, everyone plays there, from complete beginners to the biggest names on the scene. I’ve worked my way slowly up the bill over the last couple of years and on Tuesday I was the second act’s headliner (there were three acts). The compere for the night was Ahmed Berhan who I think is one of the hottest names on the circuit, partly because he is very funny, but also because watching him, he has a sense of truth and danger that other Swedish comedians don’t seem to have.

The night kicked off slowly and, to be honest, the first act was a flop. Palle was starting the second act and I could see that he was nervous…. but he’s an old punk (very old, he’s 48) and thankfully, he flicked on the aged rockstar switch. He started with his catchphrase of ‘Hello, Motherfuckers!’, which is all the funnier when you picture a tall, skinny, grey haired teacher talking to Stockholm’s young fashionistas. Palle had got the evening going. Oh yes!

There were a couple of other comics on before me, including a guy called Fredrik Lord, who wasn’t half bad and also knew alot about obscure music. I came on and, without getting all egotistical (well, we were in EGO), I stormed it. I tried out a few new jokes that went down really well and improvised a little bit too. Well done me: Big ego in EGO.

Palle and I celebrated with a late night cappuccino and cheesecake in a trendy Stockholm cafe and then headed back to Linköping, both of us feeling good, knowing that we have both gone up a couple of notches in Stockholm recognition.

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Paid by the word

Monday, October 26th, 2009

Well… two words to be exact.

About a month ago, you may recall, I went up to Eskilstuna to make a short informational film for Volvo Wheel Loaders where I got to drive at high speeds round a top secret test track on the mother of all twenty-nine-tonne diggers like a fantastical mutation of Bob The Builder and Jeremy Clarkson (a dichotomy of an image that still fills me both with self-loathing and a degree of sexual arousal).

Up in Solna, they’ve been cutting the film and there were a couple of changes to be made. Literally.

So today, I met up with the director in Linköping, found a location with a similar sound quality to a test track and changed the word ‘four’ to ’several’ and ‘the’ to ‘a’. Job done. Or as Bob The Builder might say ‘Can We Fix It? Yes We Can!’

The working day over by half ten, I sauntered into town to meet Palle and David to talk about the radio project we have been trying to find a time to record. We met in a café (Or as Byggare Bob might say ‘Kan Vi Fika? Ja, Det Kan Vi!’) and in theory have found a date to record if the rest of the cast are free.

Off to Stockholm tomorrow night with Palle to perform at Komikaze which I’m looking forward to… will try out some newish material, catch up with a few people and see a couple of names I haven’t seen before. Fun fun fun.

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Linköping – A culture free zone

Friday, October 23rd, 2009

I’ve got mixed feelings this morning. On the one hand, I feel elated after yet another successful night of stand up to a full house at Café M, but on the other hand I feel let down by Linköpings Kommun Kultur och Fritids Nämden.

First the positives… The night of comedy rocked. This was the fourth night and a regular crowd seems to be emerging, which was always the plan. It’s so rewarding to see faces and groups that have been before who are obviously turning the night into a regular social outing.

There were four comedians on last night. The opener was a guy called Henrik Blomqvist who gave the night a strong start and he was followed by Anneli Heed, who I haven’t seen perform before. Other than being a comic, Anneli also does loads of voice overs and dubbing for films. If ever you see an ad with a child’s voice on it, it’s most likely to be her. She finished her set with an amazing trumpet solo, sans trumpet, which was a real showstopper.

The second act was Kim Solman, who I like as he is one of life’s misfits and has loads of anger onstage (although he needs to fine tune his act) and the headliner was Fredrik T. Olsson, who is one of the writers on Sweden’s most popular sitcom ‘Svensson Svensson’. Unsurprisingly, his economy of language is impressive. This is not to say that he uses few words, as his act flows at a torrential pace, but every joke seems to contain exactly the right number of words to go from set up to punchline… there’s no waffle, in other words. I usually sit behind the stage as the acts perform and one of the great pleasures is to watch the audience react to the comedians. With Fredrik, when the audience weren’t throwing their heads back with laughter, they were beaming from ear to ear.

I was happy with my MCing. I got to improvise a little when two local drunks came in at the beginning ‘I don’t come and bother you while you’re sitting drinking on a park bench… don’t come and disturb us!’ and I also tried out a joke in Swedish which I have only performed in English before…. and it worked a treat, so I think I’m going to expand it for my gig next week at Komikaze in Stockholm.

That was the good… now the bad…

Kultur och Fritids Nämden, which is basically the culture department of the local council, have never been to see anything that I have put on. The head of the department, Karin Semberg, had promised to come this week, but (no great shock) she didn’t turn up. I’m not asking them for money, but support; even support by recognising that there are things going on in Linköping. If it was just me that was being ignored then it would feel a little bit better, but every independent artist in theatre, dance or fine art that I have spoken to in this town has had a similar experience. What galls me most is that they put out a series of glossy brochures where they say things like ‘We burn for culture’ (Vi brinner för kultur). Bullshit.

What we also have to remember is that they are paid a salary from our taxes to create an active cultural life in Linköping and yet the reality is they haven’t got a clue what’s going on at a grass roots level.

I’m now in two minds – Do I wash my hands of the council, give them the two fingers and carry on independently or do I try and take on (with the help of the other theatre/dance etc groups) the bureaucratic behemoth of the council and try and make Linköping a culturally exciting and dynamic place to be?

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A night at The Liffey

Friday, October 16th, 2009

The English comedy night at The Liffey was fun. There was a decent crowd of about 50, which although less than what Pete and Louis had anticipated, was enough to get the atmosphere going.

As I wrote yesterday, I was a little bit nervous about performing in English, as although I occasionally do business gigs in English, I mostly peform in Swedish mixed with English. I was more worried about performing in front of my peers for whom English is a second language. I’d also been given the headline slot so I had to live up to expectations. Things went well and I think I delivered, and as soon as I had finished I realised that I was already looking forward to doing some more stuff in English again soon.

What was most interesting about the night was to see comedians I have only ever spoken to in Swedish, perform in English. How the words came out of their mouths was almost as funny as what came out.

Of those that I have seen performed before, first up was David Druid who is a bit of a small time celebrity, presenting on P3 and The Comedy Channel. In Swedish he is a typical young bloke, mouthy and quick on the draw. In English, for some reason he turned into the most effeminate mincer I have ever seen onstage and whenever he couldn’t find the word in English he filled the gaps with ‘motherfucking’. He was like a cross between Eddie Murphy and La Cage Aux Folles.

Martin Lagos and Zeid Andersson, who I have nothing but respect for as comedians were both competent and pretty good, but where they usually hold the audience in the palm of their hands, they both struggled to really build their acts in the way that I have seen them do in Swedish.

For me the funniest, most surprising voice to come out was Niklas Folkegård’s who somehow unintentionally replicated the sound of a very posh English aristocrat. He is from Gävle.

The future looks good form Laughs at the Liffey, and they need to build up a regular audience, so if you are free of a Thursday in Stockholm pay them a visit!

The next day’s pitching meeting went well. The usual story of no promises made but no doors shut either. The producer and another director have promised to read the script over the weekend and if they like it, we move forward…..

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En Route to The Liffey

Thursday, October 15th, 2009

I’m writng this whizzing up to Stockholm on the X2000. I’m on my way to do a bit of writing on the sitcom and hopefully to get a half promised pitching slot tomorrow morning at a production company. But the main event is to test the waters at Stockholm’s new all English club in Gamla Stan: ‘Laughs At The Liffey’.

This morning at Linköping station, .. I thought to myself, ‘Let’s live dangerously’, and I splashed out the extra 15 kronor to travel on the express, which, according to the timetable, gets in at least half an hour earlier than the regional train. Just as the tickets whirred out of the machine, I looked at the departures board to find out which platform, only to see that the X2000 had been delayed by 40 minutes.

Still.. it’s a beautiful day and the scenery is spectacular in the golden sunlight.

I’ve done a couple of gigs in the last couple of days. On Tuesday it was a corporate gig at Mjärdevi Science Park in Linköping. A big computer company had had a training day and wanted me to raise a smile at the end of the day. I was booked for 6pm, which usually means I get to perform an hour or so later.  I got there and the event was taking place in a big canteen . There were thirty or so tired looking computer people making quiet conversation with each other. The guy who booked me shook my hand and asked if I was ready to perform. I took my hat and coat off, grabbed a glass of water and I was off.

Things went well – I had a nice rapport with most of the audience, although there was the inevitable one or two who watched me stoney faced, unable to understand why this jolly English guy had been thrust unexpectedly upon them after a hard day’s training, when all they wanted to do was to go home. Still, you can’t please everyone and the rest of the audience were with me. I had a bit of fortune with my Ingmar Bergman routine as I had someone sitting in the front row that looked a lot like ‘Death’ from The Seventh Seal. It’s sometimes nice to use the audience for visual reference.

Last night’s gig was totally different. It was at the Skandia Teater in Norrköping and I was first up of four comedians. This was a proper comedy evening; the standard was high and the audience were up for it. Being first on can be a bit nerve-wracking, but they quickly warmed to me and I got a round of applause after my first set piece. I had moved a couple of things around in my set and I felt happy with the new streamlined order. I think the audience were too by the warmth of applause I got.

The other acts were excellent. First a young guy called Tobias Jacobsson, who has great stage presence and a squeaky clean image, that I can see appealed to the mostly middle-aged crowd. He was followed by Eric Löwenthal who has been in the game for number of years. Without being over the top, he has a great physical presence and every gesture was clear and illustrated the comedy. Then the headliner was good old Thomas Oredsson, the old man of Swedish comedy. Such a nice guy offstage who clearly has a wealth of experience and watching him on stage is an education.

So, onwards to The Liffey, where to be honest, I’m feeling the pressure. Most of the other comics are Swedes, doing what I normally do i.e. joking in a second language. I’m sure they will cut it in English… but the question is, can I?

Watch this space….

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…. And number three

Tuesday, October 13th, 2009

Sometimes, just sometimes, things work out really really well. And Sunday night’s show in Stockholm was one of those times.

The day started in Linköping, being picked up by Palle’s son, Johannes who then drove at breakneck speed up the E4 to the capital. I was not entirely sure we would make it there in one piece as on more than one occasion Johannes, while tailgating in the fast lane at 160kph, would fully turn his head to the back seat and inform me that I was confusing fast driving with dangerous driving. Palle sat in the front, with a look that (underneath the fear) said ‘Don’t think I haven’t told him all this before…’

Incredibly, we made it and met everyone at the theatre – Bisse (my sitcom co-writer, and the evening’s ticket ripper), Garry (Sound and lights) and Louis (wardrobe and warm up act). I set up my props, then began the business of warming up backstage (i.e. pacing about nervously).

Louis came on first and charmed the audience by inviting them to shower him in kisses during the ‘kisspaus’, then Palle strutted his stuff. Then it was me… Stepping onstage is like diving off a cliff… there’s no going back, but also, you don’t know what temperature the water is, how deep it will be or if your shorts will stay on (perhaps I’m taking the metaphor too far). On Sunday, I stepped out to a full front row of smiling faces, behind them, the rest of the theatre was pretty much full and they seemed up for it… and indeed they were.

Performing in a theatre (as opposed to a club) you have so much more freedom with subtle looks and nods and Sunday’s audience were with me all the way. If that was not enough then my adlibbing head was firmly on and fate dealt me an excellent hand…. Here’s just a few that I was gifted … First, the Volvo 440 book I have onset fell over …. “unreliable crap. I should replace it with a Saab”, then when I spoke to the audience, there was someone called Gunnar – and a conversation I had had long ago in Birmingham resurfaced about how being called Gunnar in the Midlands would be a nightmare….. “Will you tell me your name? I’m Gunnar (gonna). Tell me your name then! I’m Gunnar!”. Then the other person I picked out from the audience was called Franz (pronounced France)… “I’ve never performed to a whole country before” . I couldn’t have planted better named audience members.

I was so pleased with the night and it seems that the audience were too as I got an encore. No flowers or knickers thrown onstage, but it was an encore nonetheless.

Job done and a feeling of great relief… Although the tour’s over, I’ve still got three more shows this week – A corporate job tonight in Linköping, a support slot at the Skandia in Norrköping tomorrow and a spot at Laughs At The Liffey on Thursday. What a week.

……

Blogpost over, but I thought I would plug my friends’ short film here too. If you have 5 minutes watch A Shot At Love filmed as part of the Smoke and Mirrors film competition in London

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The Ballet and the Ballot Box

Sunday, October 11th, 2009

A quick post before I head up to Stockholm to perform this evening at The Playhouse Teater in Östermalm. (Click here for tickets.. plug…plug)

In the last couple of nights I have had performances at polar ends of the cultural scale. First, on Friday night I was the after dinner speaker at a conference for East Sweden’s Nya Moderaterna party. Conference gigs are always interesting, because you have no idea what kind of people will be there, how much they will have drunk, but most importantly, whether they are in the mood for a comedian.

Luckily, most of the audience were up for it and laughed, but there was one woman in the middle who was obviously in a bad mood and clearly, the last thing she felt like doing was to listen to an English bloke talk about Sweden. Still, I think most of the audience were with me.

None of the Moderaterna bigwigs were there, but as they were all party activists I was expecting my rundown of the Swedish political parties to go down better… What was interesting, was that he moment I started to talk about politics, they put on quite analytical faces, and rather than take it as just a joke, you could see that one or two were thinking…’yes, but the issues are really a lot more complicated than that, you know…’. One difference between Friday and the show I did on Wednesday was that the words ‘Mona Sahlin’ not only worked as a punchline, but got a round of applause.

If performing for a political party that I’m not a member of is weird, then on Saturday it got even weirder, when I took part in a ballet of The Passion at St Lars Kyrkan in Linköping. I have been helping the director out for the last couple of weeks on the acting side of the performance… and somehow managed to get in the cast as well. I played the parts of Barabas and St John (not at the same time). Luckily, neither part involved any actual ballet; however, if you could have seen me at about  six thirty last night, I was wearing a biblical style dress and warming up with a plié or two.

I have to say, that I thought the performances of the proper dancers was absolutely fantastic. Hopefully there will be a piece in Corren on Monday which I can link to.

Rightie Ho…. I’m off to Stockholm to perform the third night in my mini tour of 110% Lagom… S’laters.

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Five Ladies

Friday, October 9th, 2009

Zeid

Five female comedians. One stage. One microphone. And one very happy audience.

Last night had the potential to go horribly wrong. At about 5pm, the headline act, Zeid Andersson rang to say that her train in from Copenhagen had broken down and she was stuck in Lund which is at least two hours away on the fast train. I remained relatively calm and tried to think how to rework the evening.. I could perform a bit longer and there were a couple of local comedians that I could call on at the last minute… the only drawback being that I and them were all male, thus destroying the whole ladies night concept.

After letting me sweat for about half an hour, Zeid rang again to say that she had managed to get on a different train and would get in to town at about 8pm.

So we kicked off and as the last comedian of the first act was finishing off, in walked Zeid to grand applause from the audience. She had time to take her coat off, brush her hair and tune her ukulele (yes, she finishes off her act with the Uke). Zeid hopped onstage, wowed the audience who laughed continuously, then pulled out her Uke and led the audience in a rendition of ‘Oh min vagina’ to the tune of Hava Nagila. What a trooper.

The others comedians were also great: Elina Du Rietz, Cecilia Von Strokirch (posh names!), Bianca Meyer and  Jessica Karlén … but none of them were quite as Rock and Roll as Zeid Andersson.

Long Live the late entrance and the ukulele!

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Two down….

Thursday, October 8th, 2009

Last night at Linköping’s Lillascenen was a hoot. Played to an almost sell out crowd – mind you, it is a tiny theatre, (hence the name).

Most of the stuff went down well, but I did notice that my ‘Linköping’ material which I have developed quite a lot since I last did it in Linköping got a much frostier reception than it did in Norrköping or Stockholm. I guess it boils down to people outside Linköping, especially in Norrköping, enjoying taking the mickey out of Linköping. I am always surprised by the lack of cynicism and self criticism that there is here in Linköping…. perhaps there really is a blinkered sense of civic pride. For me, I think this city needs to be able to laugh at itself more… especially when they embark on projects such as Manhattan, Linköping.

I also discovered that the words ‘Mona Sahlin’ are no substitute for a punchline… I guess it was a Social Dem audience… I’ll try it again on Friday when I play at the Moderaterna conference.

What I love about live performance is that you never quite know what the audience will bring to the show. The tempo changes depending on their response and mood. Last night I was gifted a few extra lines by the presence of a twelve year old boy, alone on the front row. I don’t swear excessively in the show, but I do like to execrate liberally. I let the kid know there would be swearing in the show and checked that he was familiar with such language. We agreed that I would give him a signal to cover his ears if I was going to say anything rude.

Here’s a picture of the audience which I took after the show – they are being told about the rest of the season’s programme at the theatre (just to explain the serious looking faces)…. See if you can spot the 12 year old kid.

110Oct

Got the club tonight at Café M with an all female line up…  I knew I should never have opened that Germaine Greer book.

And by the way, tickets are still available for the 110% Lagom show on Sunday in Stockholm…. click here for link..

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Highlights from Follow Sweden

20 things to know before moving to Sweden

As diverse as Sweden is, there are a few societal norms that are distinctly Swedish. Understanding a handful of them will hopefully prepare you culturally before you relocate. When you're invited home to a Swede, you better be on time and take your shoes off, writes expat Lola Akinmade-Åkerström. Read more »

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Sweden is a country where almost everyone can speak English. So why bother to learn Swedish? Edina Varnagy from Hungary managed with English for a whole year but then found that Swedish could open doors – to a job, a social life and greater understanding. Read more »

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