• Sweden edition

110% LAGOM

Trying to see the funny side of Sweden

Archive for February, 2010

Population: 4362

Sunday, February 28th, 2010

I found myself in a place called Vingåker last night. It’s not the biggest place in Sweden, but it’s got a comedy night whose reputation is growing bigger and bigger. Playing in a small town can go either way and you never quite know what to expect, so I had done a bit of research about the town before the gig. When I say research, naturally, I mean I typed the name of the town into Wikipedia. This is what I learnt: That Vingåker is the birth place of ex-Prime Minister Göran Persson and that that the town has a train station that was closed between 1971 and 2003. Those two facts were all that was of great enough importance to make it on to Wikipedia.

I arrived in good time and found the venue ‘Vingåker Hotell’ which can be found, serendipitously,  opposite the famous station. I assume that business at the hotel has picked up since the trains started running again and Göran Persson lost power. I took a little wander round town to see if I could get a handle on what kind of town it was. Prominent were the offices of Miljöpartiet (Greens), Vänsterpartiet (Communist) and Social Democraterna (Social Democrats)… with the governing Alliansen parties nowhere to be seen. There were hairdressers, pizza/kebab ‘restaurants’ and the ubiquitous COOP and ICA. In other words, a typical Swedish town. I thought I was blending in when suddenly, on the high street, a very drunk middle aged woman approached me, grabbed me by the waist, breathed 60% proof and smoke into my face and rasped “You’re not from here, are you?”. I’m still not sure if I should have felt scared or warmly welcomed.

The line up for the gig was slightly odd. The headliner was Kristoffer Appelquist. However, he was using the night to try out his show KRIG (war) which premieres next week at Boulevard Teatern in Stockholm. He decided to perform it in the first half and then the other three (me, Sara Andersson and Sven Brundin) would perform after the break. The bottom line is that a Saturday night audience in small town Sweden is not the crowd for a thoughtful show about the nature of war and about a quarter of the audience found it hard to keep up. That said, I can say that the show will be a real success when it’s performed at the theatre to a dedicated audience. It’s a show that is intelligent, personal and very funny.

When it was our turn to perform, the audience were up for some laughs that didn’t involve profound thought and I think the three of us gave them what they wanted. I had a ball onstage and the audience were great. I stayed the night and other than having a chance to chat to Kristoffer and Henrik who runs the night, it was also great to watch legless Vingåkerians letting rip on a Saturday night.

The final word is to recommend the hotel, run by a witty, charming Bosnian family. So if ever you’re in Vingåker look up the Hotel. It’s opposite the station.

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Tweet! Tweet! Tweet!

Friday, February 26th, 2010

Last night was well and truly tweeted. Three keen comical tweeters made their way to Linköping tweeting every stage of the journey. There were five in the car. See if you can guess from their names which ones use Twitter: @AhmedBerhan, @EvelynMok, @LouisZezeran, Marja Nyberg and Erik Hultkvist.

I didn’t need to check if they were on the road as photographic proof was posted on the net. They arrived as I was mid interview and under the bright spotlight of the press… which was duly tweeted. People in Luleå may have been aware of their arrival before I was. I’d say that you had to be there, but in many ways, you didn’t… as the gig was tweeted as it happened. I’m happy to say, that I or @110percentlagom, as I’d rather be known, remained tweet free.

And tweet oh tweet, what a great gig it was! Five Tweetastic comedians from Erik Hultkvist’s tie wearing propriety, to Louis Zezeran’s Aussie observations, to Evelyn Mok’s brilliant emotionally challenged stage persona. And a second half with Marja Nyberg’s screwed take on life and finally, one of Sweden’s most exciting young comedians Ahmed Berhan. Ahmed took twenty minutes away from Twitter to perform a stunning set – sometimes just silly, sometimes thought provoking. He’s touring some pretty big venues with RAW in March. If you get a chance to see the tour, it’s worth going!

After the gig, it was back to mine for red wine and chats… which we did face to face ‘IRL’ with only the occasional stop for quick tweet.

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A radio legend

Friday, February 19th, 2010

Promoting comedy while having lived in Sweden for a little over three years has its advantages and disadvantages. Being a positive kind of person I tend to focus mainly on the advantages: I do what I do with passion, the outsider’s eye and no baggage of how things ‘ought to be done’ in Sweden. The other thing is I tend not to be intimidated by the big names – mainly because I didn’t grow up watching them and it’s hard to get your head round the status of someone having been a contestant on ‘På Spåret’.

Last night was one of these occasions. It was the second of three nights at Palatset in Linköping and I had booked Pontus Enhörning as the headliner. I knew the name and knew that he was good, but had never met him before.  I began to get a hint of who he was when I went through the list of headliners with the landlords of the pub. At Pontus’ name they both let out a spontaneous little squeal. When I told Danny that he would be performing before Pontus his eyes went a little bit watery, he hugged me for a little bit too long and said with a quiver in his throat ‘He is my idol’.

Palle filled me in before the gig, describing him as the man who redefined popular radio in the 90’s breaking the dry boring patriarchal mold to being fun, witty and a little bit edgy. ‘Nothing less than a radio legend’. I was looking forward to finding out more straight from the horse’s mouth, but thanks to good old SJ, his train arrived an hour and a half late which gave me just about enough time to say hi, introduce everyone,  including a star struck Danny, and get onstage.

And the show was a corker. Starting with Jens giving a solid performance (back doing stand up after a year’s ‘proper acting’). Palle took to the stage and having had a couple of bad gigs recently he has taken stock and polished up his act… and he played a blinder, putting the audience in stitches. It’s time to start promoting his Facebook group again! Danny got over his nerves at being in Pontus’ presence and also came up trumps with a fantastic set. The second half kicked off with an outing for Emil’s taxman character which is getting better and better. And then it was time for the main event – Pontus Enhörning! And from the word go, he owned the stage.

He manages to play the grumpy old man while remaining fresh and rough at the edges. There was some lovely observations and characterisations of  other nationalities that verged on being a bit old school, but were done so well they were hilarious (And let’s be honest, who doesn’t like laughing at the French and Germans?). But, for me, it was his observations on the Swedish persona that were right on the button – Just one example (and it’s not hard to visualise), he talked about Swedes going abroad, being overwhelmed by the life and vitality of the strange land and then observing ‘There’s an awful lot of foreigners here’.

The gig finished: audience happy, publicans happy, performers happy. Danny, Emil and Palle embarrassed themselves by having their pictures taken with Pontus who was then whisked away to catch the last train back to Stockholm. I’m looking forward to meeting him again and having a chance to chat, even though I still won’t be impressed by his status as a radio legend, although I may give away a little admiration for his skill as a stand up.

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An open space for kultur

Wednesday, February 17th, 2010

A ‘Samling För Scenkonst’ was where I was today. Anyone who is anyone  in Östergötland’s performing arts world, plus lots of somebodies who are nobody were there. But what was it? It wasn’t a conference, it wasn’t a meeting, it wasn’t even a gathering… no I was in attendance at an ‘Open Space’ a new way for officialdom (in this case Östsam) to pay lip service to the people that they are supposed to support. Open Space, we were told at the beginning, is a revolutionary way to gather information and opinions from a large and diverse group. We were also told that it is used in conflict resolution and has been used in Israel/Palestine negotiations. I couldn’t help but observe that this wasn’t the  best advert for the method, however, when it comes to the rather less volatile world of performing arts, it worked very well.

Before we could get to the meat of the Open Space we had to listen to various luminaries giving their vision of the arts scene in Östergötland. Painful is not the word. My life slipped away in 5 minute increments as each speaker lead me a twelfth of an hour closer to my grave. I used the time to look around the circle at the other delegates or open spacers as perhaps they should be called. They were mainly old, white (hair and race) and grey (hair and personality). There were a few younger people there and I don’t mean to be judgmental, but the majority of them had desert chic scarves round their necks (perhaps they had stuck around after the Israel/Palestine talks?). There was even one woman in an orange knitted poncho.

When the Open Space proper began, participants had to write down questions that they would like discussed on a piece of paper. Things like: “Why doesn’t the government raise taxes to pay for kids’ bassoon lessons?” or “Is there such a thing ‘bad’ quality?”. I was tempted to write: “Why is everything so shit?”… but thought that this may be judged as a ‘bad’ question.

We discussed issues in breakout groups. I met a few nice people and a few people that made me want to weep. I realised that I cannot be an ‘arrangör’ as I do what I do as a private enterprise rather than as a non profit hobby. … and then listened to a group of septuagenarians try to understand why their non profit theatre association was having difficulty attracting young people to the theatre. At least they are eligible for a grant to quarter fill the theatre which is more than I am….

It’s easy to be cynical, of course, but I’m quite glad that this day took place even if it has only served to confirm my opinion that when it comes to arts funding in Linköping, concrete support from the county or the kommun, is a wide open space.

….

On a less moany note. I was on the telly last week. My interview can be seen here. And the whole programme can be seen here as a series of short clips on SVT Play.

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Al Pitcher and a brush with the Law

Friday, February 12th, 2010

From the moment that Al Pitcher, Kiwi comedian extraordinaire, stepped onto the stage last night he proved he is a head and shoulders above anyone on the Swedish circuit.

Don’t get me wrong. It had been a good night at LKPG HA HA!: Martin Lagos and Malin Appelofft giving great performances with no shortage of laughs, but when Al came on the whole night was lifted to another level. It was like being back in a London comedy club with improvisation, adlibs, interaction and living in the moment – stand up as it should be where the performance is unique to the evening, venue and audience. Yes, and hilariously funny to boot.

I’m aware that the following statement may sound hollow, particularly as I’m promoting him for a bigger show; but see that as a declared interest. If you do get a chance to see Al live. Do it. (If you get a chance to buy a ticket for the show that I’m putting on in Linköping in March – even better!)

So what could put a downer on a perfect night of stand up in Linköping? Answer: A parking ticket from the police! That’s what! As we got in the car to go to the station, Al pulled a yellow ticket from under my windscreen wiper. No joke, no smile, no irony. 700 kronor. Ker-ching.  And there went the night’s profits…

Talk about pedantry from the police… parking in a loading bay with no activity for more than ten minutes. At ten past eight in the evening! Bastards.

Don’t worry though, blogfans! I’m gonna fight tha law! I took some photos of us loading up the car with PA system and I’m going down to police HQ to challenge the ticket… I’m like a modern day Robin Hood…. well, sort of.

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A night at The Palace

Friday, February 5th, 2010

Last night was the first night at Palatset (translates to The Palace). Why the place is called Palatstet, I have no idea. It must be a very sorry monarch who lives in a palace that boasts 5 pool tables, a golf simulator and Falcon on tap. Still, I had put together a royal evening of comedy for the venue who want to try out a few nights and see what the response is.

There were a couple of hiccups in the afternoon as I tested the sound. Not least because it turned out that neither of the guys who ran the place knew how the sound worked. It also turned out that the amp had some kind of safety mechanism to protect people’s ears which meant that music could not be turned louder than a tinny tinkle in the background. So much for the thumping tune to come onstage. But these were all minor details.

The landlords had worked hard to fill the place and although with some clever table placing we could get another 20 or so in next time, every seat was occupied. The audience were new (to me). In other words it is an audience independent of my nights at Café M, which means that the two nights should be able to work in tandem.

The night kicked off well, I did some old stuff and worked the audience a bit. I did a bit of banter with people on either side of the audience. It’s always good to have a couple of victims/allies in the audience that you can refer to when a joke goes well or badly. I even managed to get a little bit of whooping laughter in the first 5 minutes, so I felt that I made a connection with the crowd. I even got a big wet sloppy kiss on the cheek from one lady in the audience.

First on was Danny, introduced as ‘Motala’s Biggest Comedian’, which in terms of size, he definitely is. And in terms of material he’s a strong contender. When Danny is good he is brilliant and last night was one of those nights. He came on and owned the stage. The audience were literally crying with laughter, wiping tears from their eyes as he described his ‘romantic’ experiences on the Finland Crossing.

Next up was Palle, who didn’t quite hit the mark, but was good nonetheless. I think his act has become a bit too clumsy recently and he needs to sharpen it up again.. but he’ll be back on form soon enough.

After the break, Emil released his all new character on the audience. Emil is another local guy who took a break from comedy for a few months, had a good think about what he was doing and has come back with all guns blazing. Last night he blew the audience away and had them howling with laughter before he even said a word. I’m looking forward to see how this new character develops.

Finally Zeid headlined and was great. She did some stuff that I haven’t seen before, particularly a few more cabaret style bits and pieces. The stand up purist would say that you shouldn’t rely on props and gimmicks, but actually, I think that Zeid read the audience well and that they responded well to (for example) her Pippi rap (replete with pigtails and flashing glasses). Zeid’s act finishes with the best showstopper of all: A singalong to the tune of ‘Ha Va Nagila’ with the lyrics replaced with ‘Oh Min Vagina’. Classic.

So the future at Palatset looks bright. I’ve got two weeks to get them to sort out their music before we are back. In the meantime, back to promoting my other nights at Café M and Sagateatern… just waiting for the postman to turn up with the printed tickets for Kiwi comedian Al Pitcher at Sagateatern on 19th March (plug. plug. Pay attention, people of Linköping)

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Burns Night/Berns Night

Tuesday, February 2nd, 2010

I was invited to a Burns Night at the British Embassy last week. I would have loved to have gone as I am quite partial to a plate of haggis, ‘neeps and tatties, especially when washed down with a single lowland malt. Oh to be in Scotland again….. the bagpipes, the haggis, the heroin and the knife fights… happy days.

Unfortunately, I had to turn them down as I had been booked in to perform at an altogether more Swedish Berns night at Berns Salonger, to be precise. I had been a bit reluctant to do the gig in the first place as it was a showcase night for an events company, but I had convinced myself it would be worth it despite all my instincts saying that it would not be an ideal night for stand up.

When I got there all my worst fears were confirmed. The plan was for acts to alternate between the large stage (musical acts) and the small stage (voice acts). All planned with great precision apart from that it made the assumption that the audience would also be up for switching every twenty minutes or so without getting distracted by the bar, each other or the stand that offered a chance to win a holiday to Thailand in the middle of the hall.

I watched with my heart in my mouth as my friend Zeid (who is one of the most accomplished comedians I know) was more or less ignored by the mingling audience. She seemed to take it in her stride and I thought oh well, may as well just go for it. As it happened, I was on a couple of hours after Zeid, so the audience had got more into the swing of the evening and had already had their fill of shiny holiday brochures. I hopped up at about 10pm and have to say that it went really well. I did a lot of interactive stuff with the audience to get them involved, but I had all the crowd with me throughout. Victory stolen from the maws of disaster.

I’m glad I chose Berns over Burns as it was a chance to meet a couple of new faces and while it remains to be seen whether I get any more gigs from the night, I think I have got a good lead for a couple of decent nights for me to put on in Linköping. One other thing was that my act was photographed professionally. Which means that (at some point) I should have some decent pictures of me playing at one of Stockholm’s top venues. Things seem to be going well with my plate full and my appetite keen… As Rabbie Burns would have said:

Some hae meat and canna eat,
And some wad eat that want it;
But we hae meat, and we can eat,
Sae let the Lord be thankit.

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Highlights from Follow Sweden

20 things to know before moving to Sweden

As diverse as Sweden is, there are a few societal norms that are distinctly Swedish. Understanding a handful of them will hopefully prepare you culturally before you relocate. When you're invited home to a Swede, you better be on time and take your shoes off, writes expat Lola Akinmade-Åkerström. Read more »

How far can English take you in Sweden?

Sweden is a country where almost everyone can speak English. So why bother to learn Swedish? Edina Varnagy from Hungary managed with English for a whole year but then found that Swedish could open doors – to a job, a social life and greater understanding. Read more »

Blog Update: Julie's Nordic Island

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The consciousness of one »

"The ice dripped in the winter sun. It was the first day when the light had been intense enough to cause dripping in the sunlight. To hear it was an extraordinary wakeup call. The cycle was happening again as it always does, always will (or so we think). I imagined that on my summer island, the bees..." READ »

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