Football hooligan film stopped by football hooligans

The Malmö premier of British hooligan film The Football Factory was cut short when a few local boys decided to show that supporter violence isn't simply a British phenomenon.

During the film’s first showing in Malmö, supporters of rival Malmö FF and Helsingborgs IF clubs broke into a fight. According to Sydsvenska Dagbladet, police stopped the showing and closed the theatre, and eighteen were taken into custody.

SF Bio’s regional director announced that the film had been pulled from their schedule and would not be shown in Malmö. Though it had been suggested that the theatre work together with the football clubs or that they hire security for the screenings, neither option seemed attractive to director Måns Enquist.

“It’s a relatively small film anyway,” Enquist to Sydsvenskan. “It was going to play for only a week and we didn’t expect many visitors.”

His colleague Alexander Kugelberg, the Malmö director at SF Bio, at least showed some sympathy for the masses of disappointed filmgoers: “These guys haven’t won anything. They’ve just ruined it for a lot of people.”

Rumblings that the film was withdrawn due to threats or as part of a system of censorship were laid to rest by SF Bio’s spokesman, but filmmaker Per Svensson argued that had the screening taken place in a public theatre its withdrawal would have been viewed as a threat to freedom of expression. Svensson felt that football fans, for example members of Malmö FF, could have very well helped out and provided security for further showings of the film.

The reel of The Football Factory that showed in Malmö was sent to Uppsala for screening. There are no plans to show the film in Helsingborg.

Source: Sydsvenskan


How a Swedish film festival is offering a nurse downtime during pandemic

A front-line Swedish nurse is getting some Covid downtime with a week of private screenings of the Gothenburg film festival, in a former lighthouse off the country's west coast.

How a Swedish film festival is offering a nurse downtime during pandemic
Competition winner Lisa Enroth.

More than 12,000 candidates from 45 countries applied to watch the festival's films in almost near isolation on an island 400 kilometres (250 miles) from Stockholm.

The prize is a week viewing as many of the festival's 70 premieres as they like in a hotel in the former Pater Noster Lighthouse. But they will be in isolation and will have no access to their own computer or laptop.

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The bright-red lighthouse, built on a tiny island off Sweden's west coast in 1868, is surrounded by a scattering of squat, red buildings originally built to house the lighthouse keeper's family. It can only be reached by boat or helicopter, depending on the weather.

After a series of interviews and tests, festival organisers chose emergency nurse and film buff Lisa Enroth for the prize, in keeping with the 2021 festival's theme, Social Distances.

Before boarding a small speedboat out to the island on the clear, chill winter's morning, Enroth said she had applied not only out of her love for the cinema, but also to seek respite from her hectic work as an emergency nurse during the pandemic.

“It has been hectic, so it's a nice opportunity just to be able to land and to reflect over the year,” she said.

Months working amid Covid crisis

Sweden, which has taken a light-touch approach to the pandemic compared to its neighbours, has been facing a stronger than expected second wave of the virus. So far, more than 11,500 people have died from Covid-19 across the country.

Enroth works in the emergency ward of a hospital in Skovde in central Sweden. Since the start of the pandemic, her hospital's work caring for virus patients on top of their regular workload has been intense.

Lisa Enroth on her way to the remote festival location. Photo: AFP

“We had a lot of Covid cases during this year and every patient that has been admitted to the hospital has been passing through the emergency ward,” she told journalists.

The organisers said they were surprised by the numbers of applicants for the prize but were confident they had chosen the right candidate — not only for her love of cinema.

“She has also dedicated this past year in the frontline against the Covid-19 pandemic,” the festival's creative director Jonas Holmberg said to AFP.

“That's also one of the reasons we chose her”. 

Isolated screenings

Boarding the boat dressed in a thick survival suit, Enroth sped over the calm, icy waters, jumping off in the island's tiny harbour and disappearing into her lodgings.

A screen has been set up in the lantern room at the top of the windswept island's lighthouse, offering a 360-degree view of the sea and coastline around.

Another wide screen has been set up in one of the island's buildings.

Enroth will also have a tablet and headphones if she wants to watch films elsewhere on the island, which measures just 250 metres by 150 metres.

With only one other person staying permanently on the island — a safety precaution — Enroth's only contact with the outside world will be through her video diary about the films she has viewed.

The festival's films will be shown online and two venues in Gothenburg itself will allow screenings for just one person at a time.

Holmberg, the festival's creative director, said he hoped events like these would maintain interest in the industry at a time when many screens are closed because of pandemic restrictions.

“We are longing so much to come back to the cinemas and in the meantime we have to be creative and do the things that we can to create discussion,” he told journalists.