Young Swedish film director takes Hollywood by storm

Even though there’s an ocean between Per Hanefjord and Hollywood, the budding Swedish film director explained to The Local’s Lydia Parafianowicz that tinsel town honours aren’t out of reach for a kid who grew up 40 kilometres away from the nearest grocery store.

Young Swedish film director takes Hollywood by storm

Back in May, Hollywood’s illustrious Academy of Motion Picture Arts And Sciences, the folks who every year dole out golden statues to Hollywood’s best directors and actors, chose Hanefjord as a winner in their annual Student Academy Awards contest.

Having graduated from the Stockholm Dramatiska Institutet in 2008, Hanefjord says he had heard about the award, but hadn’t planned to submit an application.

However, after creating his short film “Elkland” for a school project, unbeknownst to him, his teachers entered his work in the contest after it premiered in Sweden.

“I didn’t think much of it, then one day I came home and found a letter on the floor from the Academy of Motion Picture Arts And Sciences,” recalls Hanefjord. The letter said he was a top five finalist in the foreign film category, selected from 57 entries.

“I felt so honoured to have made it that far,” he says.

“I thought people always say they are happy just to be nominated, but secretly they care that they win. But it was honestly an honour just to be in the top five. It’s something all film makers want after making a film.”

Hanefjord says he thought he’d lost when May 15th – the day the Academy announced the winners – came and went without news.

“The next morning I woke up and realized there’s a nine-hour time difference, so I still might have a chance,” Hanefjord recalls.

“I opened my computer and there was an e-mail saying congratulations, and then I was jumping around screaming.”

The Academy also sent a formal letter, which Hanefjord says he is waiting to open and read to cheer him up on a bad day.

A renaissance man of the arts, Hanefjord says his creativity first blossomed as a teenager when he was determined to be a painter. After dabbling in photography, writing and sound production, he says he realized these elements combined in video, and started making films at 17 years old.

Now 30, he completed a directing course at the Kalix Film School in 2002, and has a bachelor’s degree in fine arts with a major in directing from the Stockholm Dramatiska Institutet. He says the concept of “Elkland” came to him under pressure while struggling to write a script for a school project.

“I would like to say that I have a good story behind it, but I don’t,” Hanefjord says. “I was in a situation where I needed to have a script ready for a certain date because I was in school, and the film was going to be shot that date.”

His moment of clarity arrived when an Estonian repairman came to his apartment and told him a story about a summer spent working as an undertaker. He spoke about swollen, smelly bodies that didn’t fit in caskets, and Hanefjord found his inspiration – turning a horrible situation in black comedy.

“When I had that idea, I sat down and collected ideas from other story lines,” Hanefjord says.

“I also carry a little black book where I write notes for stories, like when I hear people speaking on the subway, I take notes. Almost everything in the film is actually from real life.”

The school provided a small amount of funding for hiring actors. Hanefjord was director and writer, and his classmates served as producer, photographer and sound director.

Hanefjord says as a director, the most important aspect of a film is the story, no matter where it’s filmed. While the Swedish film industry will never be a prime competitor to Hollywood blockbusters, it’s continuing to grow from being represented by Ingmar Bergman films to showcasing fresher faces.

“Ingmar is like the thing that you carry on your shoulders as a filmmaker here,” says Hanefjord.

“Now that he’s dead, maybe people are able to move on and make films in a different way. The creativeness and people making films is getting more and more. I think Swedish cinema is going to see some new directors and more inventive film-making.”

Of course, one can’t help but wonder if the budding director has a favourite film of his own. He says it’s difficult to choose, but “Scarecrow” is a top pick because it’s big-hearted and touches all extremes of human emotion.

On June 9th, Hanefjord flew to Hollywood to accept his award, adding he doesn’t plan on becoming another young star jaded by seeing his name in lights. Born and raised in the remote town of Lycksele in the north woods of Sweden, where the closest grocery store being 40 km away, he says he won’t forget his roots growing up as the only child in his village.

“I think one of the coolest things about getting this award is that everything feels possible,” Hanefjord says.

“All my friends ask how I made it from there to winning this award. I don’t need to get rich, I just want to be able to pay my rent and focus on doing what I love.”


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How a Swedish film festival is offering a nurse downtime during pandemic

A front-line Swedish nurse is getting some Covid downtime with a week of private screenings of the Gothenburg film festival, in a former lighthouse off the country's west coast.

How a Swedish film festival is offering a nurse downtime during pandemic
Competition winner Lisa Enroth.

More than 12,000 candidates from 45 countries applied to watch the festival's films in almost near isolation on an island 400 kilometres (250 miles) from Stockholm.

The prize is a week viewing as many of the festival's 70 premieres as they like in a hotel in the former Pater Noster Lighthouse. But they will be in isolation and will have no access to their own computer or laptop.

READ ALSO: Decision on stricter restrictions for foreign travellers to be made quickly

The bright-red lighthouse, built on a tiny island off Sweden's west coast in 1868, is surrounded by a scattering of squat, red buildings originally built to house the lighthouse keeper's family. It can only be reached by boat or helicopter, depending on the weather.

After a series of interviews and tests, festival organisers chose emergency nurse and film buff Lisa Enroth for the prize, in keeping with the 2021 festival's theme, Social Distances.

Before boarding a small speedboat out to the island on the clear, chill winter's morning, Enroth said she had applied not only out of her love for the cinema, but also to seek respite from her hectic work as an emergency nurse during the pandemic.

“It has been hectic, so it's a nice opportunity just to be able to land and to reflect over the year,” she said.

Months working amid Covid crisis

Sweden, which has taken a light-touch approach to the pandemic compared to its neighbours, has been facing a stronger than expected second wave of the virus. So far, more than 11,500 people have died from Covid-19 across the country.

Enroth works in the emergency ward of a hospital in Skovde in central Sweden. Since the start of the pandemic, her hospital's work caring for virus patients on top of their regular workload has been intense.

Lisa Enroth on her way to the remote festival location. Photo: AFP

“We had a lot of Covid cases during this year and every patient that has been admitted to the hospital has been passing through the emergency ward,” she told journalists.

The organisers said they were surprised by the numbers of applicants for the prize but were confident they had chosen the right candidate — not only for her love of cinema.

“She has also dedicated this past year in the frontline against the Covid-19 pandemic,” the festival's creative director Jonas Holmberg said to AFP.

“That's also one of the reasons we chose her”. 

Isolated screenings

Boarding the boat dressed in a thick survival suit, Enroth sped over the calm, icy waters, jumping off in the island's tiny harbour and disappearing into her lodgings.

A screen has been set up in the lantern room at the top of the windswept island's lighthouse, offering a 360-degree view of the sea and coastline around.

Another wide screen has been set up in one of the island's buildings.

Enroth will also have a tablet and headphones if she wants to watch films elsewhere on the island, which measures just 250 metres by 150 metres.

With only one other person staying permanently on the island — a safety precaution — Enroth's only contact with the outside world will be through her video diary about the films she has viewed.

The festival's films will be shown online and two venues in Gothenburg itself will allow screenings for just one person at a time.

Holmberg, the festival's creative director, said he hoped events like these would maintain interest in the industry at a time when many screens are closed because of pandemic restrictions.

“We are longing so much to come back to the cinemas and in the meantime we have to be creative and do the things that we can to create discussion,” he told journalists.