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TECHNOLOGY

Meet the robot tweeting and biting commuters

An all-action bronze sculpture is channelling locally-sourced tweets and reading them aloud at Stockholm Central Station. The Local catches up with artist Tove Kjellmark to find out more.

Meet the robot tweeting and biting commuters
Tove Kjellmark with her robot. Photo: The Local
Perched on a plinth in the railway station’s main entrance hall, Tove Kjellmark’s robot catches the eyes and ears of everyone who passes. 
 
Article continues below the video.

But the artist’s cute creation is not just some attention-grabbing gimmick, she explains. 
 
”The sculpture’s title is Alone Together. It communicates what people in Stockholm talk about every day by capturing geo-tagged tweets live and reading them out loud at random.”
 
The piece should make people think about the kind of things they put into the public arena, she says. 
 
With issues surrounding freedom of speech and censorship in the news after the Charlie Hebdo attacks in Paris, the work's unpredictability can seem threatening. What if it starts spouting hate speech? Kjellmark says she has added some filters, but they can't catch everything.  
 
The artist says the people she talks to about the piece tell her how conscious it makes them of just how public their online presences are.
 
”It also raises questions about integrity and how easy it is to hack into open networks.”  
 
Kjellmark routinely collects toys and machines that she then hacks into for her own purposes. 
 
”I strip them down and see what they look like inside and sometimes enlarge them.”
 
That’s exactly what she did with Alone Together, building a moving bronze sculpture around the framework of a talking toy bulldog she bought in Barcelona. 
 
The artwork is also intended to subvert typical monumental art, she says. Bronze as a material tends to be the preserve of heroic and serious men. Kjellmark toys with that masculine ideal by giving her playful sculpture a woman’s text-to-speech voice. 
 
”It’s a kind of exorcism of these old statues of kings on their horses,” she says. 
 
The decision to locate the sculpture in a place where 250,000 commuters pass daily was hers. The artwork’s private sponsors, The Absolut Company, helped make it happen, donating it to the station's owner, Jernhusen.
 
”People are sitting here waiting for trains. They have time to listen.” 
 
Kjellmark says that while the general public has responded warmly to her work, Swedish art critics have stayed silent. 
 
”I think the Swedish art world is quite technophobic, which is a pity. 
 
”I think they are a little bit afraid of these kind of art pieces. We’ll see if they dare to say anything about it. Anything you don’t know so much about can be frightening.” 
 
Tove Kjellmark is currently also exhibiting at the Royal British Society of Sculptors in London. Find out more about her work at her website
 
Post-script: The sculpture was vandalized after we met the artist and is temporarily out of action but she is working to get it up and running again quickly, possibly surrounded by an oversized birdcage.
 
"People of all ages were interested, many charmed, some confused, others delighted. And then someone decided to break it," she says. 

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ART

Stockholm’s giant penis mural to be covered up after complaints

A giant blue penis painted on a Stockholm apartment building is to be covered up after just one week, the company which owns the building has said.

Stockholm's giant penis mural to be covered up after complaints
The penis was painted in blue with a yellow background, perhaps reflecting Sweden's national colours. Photo: Photo: Hugo Röjgård/Graffitifrämjandet
Atrium Ljungberg said it had come to the decision after receiving a barrage of complaints about the five-story high depiction of a bulging erection.  
 
“Of course we care about artistic freedom, but at the same time we must respect the opinion of our closest neighbours,” Camilla Klint, the company's marketing head, said in a statement. 
 
“By letting it remain for a short period, we are offering anyone who's interested a chance to experience the work.” 
 
The company said that it had been given no prior warning that a giant penis was about to appear on one of its blocks. 
 
“On Wednesday morning, April 11th, we saw  Kollektivet Livet's new work for the first time, at exactly the same moment as all the other people who live on Kungsholmen did,” it said in its statement.  
 
Under their arrangement, the artist collective had total artistic freedom over the works it commissioned for the wall, at Kronobergsgatan 35 on the central Stockholm island of Kungsholmen.  
 
The decision will come as a disappointment to the artist Carolina Falkholt. Her first giant penis painting, which she plastered on a wall in the Lower East Side of Manhattan in December, lasted only a few days. 
 
She said on Wednesday that she expected her native Swedes to be more receptive. 
 
Atrium Ljungberg did acknowledge that many appreciated the painting. 
 
“Some people are positive about the work and see it as playing an important part in the debate around sexuality, the body and gender,” the company wrote.
 
“Others, particularly neighbours, have received the work less well, and experience it as offensive.”
 
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