“Sweden’s answer to Lauren Bacall”

She is one of the most successful Swedish film actresses of her generation, and has appeared in films over seven decades. Now Swedish journalist Jan Lumholdt has brought out a unique book of interviews with Harriet Andersson.

The book was praised by critics when it was released at the recent Göteborg Book Fair. According to Lumholdt, in the early 1950’s “Harriet Andersson was Sweden’s answer to Lauren Bacall, Gloria Grahame or Lana Turner … known as one of the most exciting and sensual women in film, hard-boiled on the outside”.

Andersson attended a special screening at the Swedish Film Institute to mark the book launch. At the ceremony honouring Andersson she showed none of the toughness displayed in her debut film, Ingmar Bergman’s Summer with Monica, but a lot of humour and style.

The institute chose an English-language film to mark the occasion: The Deadly Affair directed by Sidney Lumet from 1966, based on a novel by John Le Carré. This was one of 25 films in which Andersson appeared during the sixties.

Other memorable parts are as a cancer victim with two sisters who can’t bring themselves to console her in Bergman’s Cries and Whispers, and as the strict governess in Fanny and Alexander.

The acting career of Harriet Andersson reveals extraordinary versatility with a brilliant acting repertoire of over 100 roles and 50 performances during seven decades.

One of her latest roles is as a non-descript senior in Lars Von Trier’s Dogville opposite Lauren Bacall –her 1950’s counterpart. On the set Bacall asked her about Ingmar Bergman: “Tell me about Mr. B (Ingmar Bergman). Who seduced whom? “ You first, replied Harriet Andersson.

Moira Sullivan

Moira Sullivan is a freelance journalist and member of the Swedish Film Critics’ Association


How a Swedish film festival is offering a nurse downtime during pandemic

A front-line Swedish nurse is getting some Covid downtime with a week of private screenings of the Gothenburg film festival, in a former lighthouse off the country's west coast.

How a Swedish film festival is offering a nurse downtime during pandemic
Competition winner Lisa Enroth.

More than 12,000 candidates from 45 countries applied to watch the festival's films in almost near isolation on an island 400 kilometres (250 miles) from Stockholm.

The prize is a week viewing as many of the festival's 70 premieres as they like in a hotel in the former Pater Noster Lighthouse. But they will be in isolation and will have no access to their own computer or laptop.

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The bright-red lighthouse, built on a tiny island off Sweden's west coast in 1868, is surrounded by a scattering of squat, red buildings originally built to house the lighthouse keeper's family. It can only be reached by boat or helicopter, depending on the weather.

After a series of interviews and tests, festival organisers chose emergency nurse and film buff Lisa Enroth for the prize, in keeping with the 2021 festival's theme, Social Distances.

Before boarding a small speedboat out to the island on the clear, chill winter's morning, Enroth said she had applied not only out of her love for the cinema, but also to seek respite from her hectic work as an emergency nurse during the pandemic.

“It has been hectic, so it's a nice opportunity just to be able to land and to reflect over the year,” she said.

Months working amid Covid crisis

Sweden, which has taken a light-touch approach to the pandemic compared to its neighbours, has been facing a stronger than expected second wave of the virus. So far, more than 11,500 people have died from Covid-19 across the country.

Enroth works in the emergency ward of a hospital in Skovde in central Sweden. Since the start of the pandemic, her hospital's work caring for virus patients on top of their regular workload has been intense.

Lisa Enroth on her way to the remote festival location. Photo: AFP

“We had a lot of Covid cases during this year and every patient that has been admitted to the hospital has been passing through the emergency ward,” she told journalists.

The organisers said they were surprised by the numbers of applicants for the prize but were confident they had chosen the right candidate — not only for her love of cinema.

“She has also dedicated this past year in the frontline against the Covid-19 pandemic,” the festival's creative director Jonas Holmberg said to AFP.

“That's also one of the reasons we chose her”. 

Isolated screenings

Boarding the boat dressed in a thick survival suit, Enroth sped over the calm, icy waters, jumping off in the island's tiny harbour and disappearing into her lodgings.

A screen has been set up in the lantern room at the top of the windswept island's lighthouse, offering a 360-degree view of the sea and coastline around.

Another wide screen has been set up in one of the island's buildings.

Enroth will also have a tablet and headphones if she wants to watch films elsewhere on the island, which measures just 250 metres by 150 metres.

With only one other person staying permanently on the island — a safety precaution — Enroth's only contact with the outside world will be through her video diary about the films she has viewed.

The festival's films will be shown online and two venues in Gothenburg itself will allow screenings for just one person at a time.

Holmberg, the festival's creative director, said he hoped events like these would maintain interest in the industry at a time when many screens are closed because of pandemic restrictions.

“We are longing so much to come back to the cinemas and in the meantime we have to be creative and do the things that we can to create discussion,” he told journalists.