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Stockholm art gallery guide: July 11 – 16

Stockholm art gallery and exhibition tips from Kalendarium (Click links for more information)

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“>Spit in the soup

Erwin Wurm’s Instructions on How to Be Politically Incorrect offers gallery-goers, er, instructions on how to be politically incorrect. His works are part of the Spit In Someone’s Soup exhibition on display at Marabouparken’s annex. A generous introduction to the Austrian concept artist Wurm.

Popular photography

Kulturhuset has drafted in another big name as part of its focus on photography and moving pictures. Gunnar Smoliansky is considered one of the giants of Swedish photography and the exhibition ‘En bild i taget’ (One picture at a time) shows pictures from an artistic career spanning five decades. He has an eye for everyday detail and is interested in street life.

Forty years of revolution

Färgfabriken’s major summer exhibition, 68 08, focuses on Stockholm and a world in transition. Besides works by almost 30 artists, there will also be a conference about the points at which art and society meet. It’s about youth, the will to change and thought structures.

Dark times

Moderna Museet (the Stockholm Museum of Modern Art) opens the second big installation of its 50th anniversary year. With a focus on art inspired by the irrational and unknown the art in the Eclipse installation is a clear marker of the 21st century’s tendencies in a dark time. Participating artists include Nathalie Djurberg, Paul McCarthy, Michaël Borremans and Dana Schutz.

About time

No one can escape time. The National Museum delves deep into design through the eras. Tidens Form (The design of time) is a temporary exhibition displaying more than 400 watches and clocks from half a millennium. A nice mixture of everything from bling and luxury to technical masterpieces.

Bulgarian tricks

Bulgarian artist Ivan Moudov is next up in Moderna Museet’s contemporary series, Den 1:a (The 1st). Moudov uses collections, and often even theft, to call into question the rules of art. Like a Marcel Duchamp for the 2000s, Moudov gives a new meaning to art collecting.


Stockholm’s giant penis mural to be covered up after complaints

A giant blue penis painted on a Stockholm apartment building is to be covered up after just one week, the company which owns the building has said.

Stockholm's giant penis mural to be covered up after complaints
The penis was painted in blue with a yellow background, perhaps reflecting Sweden's national colours. Photo: Photo: Hugo Röjgård/Graffitifrämjandet
Atrium Ljungberg said it had come to the decision after receiving a barrage of complaints about the five-story high depiction of a bulging erection.  
“Of course we care about artistic freedom, but at the same time we must respect the opinion of our closest neighbours,” Camilla Klint, the company's marketing head, said in a statement. 
“By letting it remain for a short period, we are offering anyone who's interested a chance to experience the work.” 
The company said that it had been given no prior warning that a giant penis was about to appear on one of its blocks. 
“On Wednesday morning, April 11th, we saw  Kollektivet Livet's new work for the first time, at exactly the same moment as all the other people who live on Kungsholmen did,” it said in its statement.  
Under their arrangement, the artist collective had total artistic freedom over the works it commissioned for the wall, at Kronobergsgatan 35 on the central Stockholm island of Kungsholmen.  
The decision will come as a disappointment to the artist Carolina Falkholt. Her first giant penis painting, which she plastered on a wall in the Lower East Side of Manhattan in December, lasted only a few days. 
She said on Wednesday that she expected her native Swedes to be more receptive. 
Atrium Ljungberg did acknowledge that many appreciated the painting. 
“Some people are positive about the work and see it as playing an important part in the debate around sexuality, the body and gender,” the company wrote.
“Others, particularly neighbours, have received the work less well, and experience it as offensive.”